Making the right design choices
In this second article of the three-part series on design, SUMITRA VASUDEVAN talks about the client-architect relationship
Designing a space is more than just getting bricks and paint together;
architecture is not just science but also an art. Unlike other art
forms, though, where the artist expresses a personal passion,
architecture works best when the creativity of the designer reflects the
user (the homeowner, the family, or the office user). Their
requirements (in terms of budget, colours, material, special needs)
provide the framework within which the designer must function. In public
spaces, often, the user’s requirements are subsumed by the architect’s
creativity. Concert halls with coffered ceilings look wonderful but they
interfere with acoustics, which defeats the space’s primary function.
When designing a home, clients generally tell the architect the budget,
size, number of rooms, etc. It is up to the architect to understand the
unstated requirements, which are often more important and define the
personality of the space.
Clients often believe that inviting the architect home provides the
necessary insights but this can actually restrict their imagination by
drawing attention to shortcomings such as lack of storage space or
insufficient lighting. What an architect needs to do is understand
what’s not said. This means understanding mindsets, understanding where
the family likes to holiday, what members like to do on weekends, how
they unwind, etc. For instance, understanding where the family likes to
holiday — whether a rugged guesthouse in Corbett or a minimalist
chrome-and-steel apartment in New York — helps convert the home into
something that will delight the family.
A lot of learning happens in the initial meetings between client and
designer. In fact, the learning is two-way. In one case, other family
members learnt that one of them hated a particular shade of blue. Small
details like this often snowball into loud and heated arguments and it
is up to the architect to restore harmony by suggesting viable
alternatives.
Pick and choose
The architect presents options because good design is about making the
right choices. Is the room going to be a laundry, a store, or a gym? Is
the Jacuzzi going to be private or is it for all to use? Does the family
want a double-height living room or a music room?
Having given the options, a good architect helps the client make
informed choices. Global trends such as open kitchens or floor-to-floor
fenestration are introduced. The architect also creates a comfortable
ambience. Will the client prefer passive methods like heat transfer to
ground by using subterranean structures or active methods like
mechanical exhausting — both of which are available locally? Finally, it
is the duty of the architect to advise the client on socially
responsible and environment-friendly homes, where energy use and waste
disposal is efficient and results in low life-cycle costs. After all,
creating a green home is fulfilling, both for the designer and the
owner.
The choices clients make are not static and require dynamic
reconfigurations. From the first-cut design to the project completion,
the choices are constantly upgraded. Clients start to observe design
features during their travels and want to bring them into the existing
design. It is here that the architect’s expertise is most needed. These
suggestions have to be evaluated and incorporated only if they are in
line with the initial brief. In one project, the roof was redesigned to
accommodate a grid pergola just hours before the concreting was done.
But in another home designed with earthy materials, a change in light
fittings was not incorporated, as it was overly decorative and did not
fit the ambience.
The design process is continuous and iterative. With newer versions, the
gap between a client’s dream and the architect’s solution reduces until
it converges to form the ideal design. In the third and final part of
this series, we will discuss the attributes needed in an architect to
facilitate this process.
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